Saint Bede’s, Nolan’s Corners — Lanark Deanery

Love Me, Love Me

There’s More Here Than You Think There Is!  Artist Mary Pratt was renowned for her paintings whose subject matter focused on women’s work. In an interview, when asked about one painting of empty eggshells, she responded enigmatically, “Love me!  Love Me! There’s more here than you think there is!” In other words, look carefully.

We could say much the same about Saint Bede’s Church, Nolan’s Corners. It is shown here early in the 21st century, long after an addition was made a generation ago. At first glance, Saint Bede’s doesn’t seem to amount to much. It seems to be a very simple building. It certainly was small when built, being no larger than the red brick one room school nearby. Like it, it was built unassumingly of red brick. It was aligned with the forced road that ran past the front door, with no attempt at having its congregation face toward Jerusalem during their devotions.

There isn’t even any mystery as to the age of Saint Bede’s Church, as shown by the year 1886 on the date stone at the top of the narthex gable—a most unusual location, suggesting that it was altogether a last-minute notion to incorporate it. The side windows of Saint Bede’s Church did not have so much as a trace of stained glass in them when this photograph was taken, and the pews inside at that time were little more than benches with a back rail. Those who perceive that this is a very functional building indeed will not be surprised to see the very large, very practical burial ground extending out behind this small rural house of worship.

But once we understand the context in which Saint Bede’s was built, we see that something revolutionary was taking place with the building of this unpretentious house of worship. People from Nolan’s Corners went to Saint James’s Church, Franktown from the 1820s on. Saint James’s was a simple auditory box, with a Palladian window over the altar, and with a tower over the front door to proclaim that this was a church of the British establishment. When a church was built at nearby Smiths Falls in 1849, if larger, it too had the same temple form as the church at Franktown, albeit with pointed windows rather than round-headed ones, but still a tower over the entrance at the front to declare that it was a church of the British establishment.

Saint Bede’s was built 40 years after Saint John’s, Smiths Falls, and 60 years after Saint James’s, Franktown. It might as well have been 500 years. Unlike earlier churches, sharing a handful of traditional names—Christ Church, Saint James, Saint John and Saint Paul—Saint Bede’s stood out with the name of a major early English churchman. Whereas the earlier churches were built expensively in stone, Saint Bede’s was red brick in construction.

The towers signifying the British establishment had given way to a modest entrance porch, and the old temple form of earlier churches gave way here to steep gables and pointed windows proclaiming affinity with the mediaeval past. Where earlier churches featured a communion table on the same level as worshippers, there was a steep flight of steps up to the altar in Saint Bede’s, and the congregation looked up to a large chancel window high above the altar. The source for all this change was to be found in back issues of The Church Builder from 1866 to 1878 consulted by the local clergyman building Saint Bede’s.

The Diocesan Archives collects parish registers, vestry reports, service registers, minutes of groups and committees, financial documents, property records (including cemeteries and architectural plans), insurance policies, letters, pew bulletins, photographs and paintings, scrapbooks, parish newsletters and unusual documents.